Shot on a phone · Los Angeles · Orange County · San Diego · Las Vegas

Wedding content creationfor the way people actually watch.

Someone on your crew films the whole day on a phone — the same device your friends will be watching it on. Raw footage in your hands within 48 hours, edited reels behind it.

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A bride holding a white calla lily bouquet against her gown, filmed close on a phone

the bouquet

A couple embracing on the lawn of a white villa, filmed vertically on a phone

after the ceremony

A couple at their first look beneath a garden pergola, filmed vertically on a phone

the first look

A couple facing each other on a shaded garden path, filmed vertically on a phone

the garden

The newlyweds kissing as they come back down the aisle while their guests cheer

the recessional

The first-look frame is a Lulan Studio wedding. The others are from our content creator’s own portfolio, shared with her permission.

The idea

Your film is worth waiting for.This is not.

A wedding film takes as long as it takes, and it should. But the week straight after your wedding is the week everyone is still talking about it — and the only footage moving through that conversation is usually whatever a cousin happened to film sideways. This is the same day, shot properly, in the format the conversation is actually happening in.

What makes it different

On your crew.Not another vendor.

The most common complaint about wedding content creators is not the filming. It is the friction — two people who have never met, working the same six feet of room, with nobody in charge of who gets the shot.

An outside creator

  • Arrives as one more vendor nobody on the team has met, on a timeline they had no part in building.
  • Competes with your photographer for the same angle at the same moment, because neither was told otherwise.
  • Answers to a separate contract, a separate contact and a separate invoice.
  • If something gets missed between the two of them, it was nobody’s job to catch it.

A Lulan Studio content creator

  • Works from the same call sheet as your photographer and videographer, written before the day.
  • Angles are divided in advance — the photographer takes the strongest still, the creator takes the alternate view or the fixed shot.
  • One contract, one contact, one invoice, one team to hold responsible.
  • Books as an addition to your photo or video coverage, which is exactly what keeps the whole crew ours.

One crew, one call sheet, nobody fighting for the same corner of the room.

The day

How it actually goes.

01

We shoot it on a phone.

All day, from the first hanging dress to the last song — getting ready, the details, the ceremony, the speeches, the floor. The device is the point: it goes places a cinema rig cannot, and what comes out already looks like it belongs where you are going to put it.

02

We stay out of the frame.

Your creator is on the same call sheet as the photographer and the video team, with angles assigned before the day starts. Nobody backs into anybody’s shot, and nothing has to be re-done because two people wanted the same position.

03

It reaches you in 48 hours.

Everything filmed that day comes back to you within forty-eight hours, raw and unedited, straight onto your phone. The edited reels follow. You are posting from your own wedding while people are still asking about it.

Two brides holding each other in tall grass under an open sky, filmed vertically on a phone

the two of them

Native, not shrunk down

Made for the screenit ends up on.

A cinema camera makes a film. A phone makes something that looks like it belongs in a feed — close, quick, slightly imperfect, shot at the height a person actually stands at. Cropping a cinematic frame down to a vertical rectangle never quite gets there, because it was composed for a different shape and a different room.

Both orientations come back to you: vertical for the places that want vertical, horizontal for a laptop, a television, or an email to somebody’s parents.

What’s included

What you get.

Coverage on the day
Most weddings book between five and nine hours of content coverage, running alongside your photography and video team rather than instead of them.
All of the footage
Everything filmed that day, raw and unedited, delivered to your phone within forty-eight hours. Nothing is held back for a later package.
Edited reels
Cut from the day and ready to post, delivered after the raw footage.
Vertical and horizontal
Both, filmed as we go — so the same wedding works in a Reel and on a screen that is not a phone.
Booked as an addition
Content creation is added to a photo or video package rather than sold on its own. That is not a technicality: it is the reason your creator is on the crew instead of arriving as a stranger.

The first thing anyone sees of your wedding will be a phone video. It may as well be a good one.

Where we work

Los Angeles, andeverywhere we drive to.

Ballrooms downtown, backyards in the valley, rooftops, coastal estates across Orange County, San Diego gardens and Las Vegas afterparties. The content creator travels with the rest of the crew, on the same schedule and the same call sheet.

Questions

Before you add it.

Is this the same as your videographer?
No, and it is not a cheaper version of one either. Your videographer shoots cinema coverage and cuts it into a film. A content creator films the day on a phone for the places you post, and the two run side by side on the same wedding. Most couples who book this book video as well.
When do we get the footage?
Everything filmed that day comes back to you raw and unedited within forty-eight hours, straight to your phone. The edited reels follow after that.
Can we book it on its own?
No — it is added to a photo or video package rather than sold separately. That is deliberate. It is what puts your creator on our call sheet instead of turning them into a seventh vendor nobody has briefed.
Vertical or horizontal?
Both, filmed as we go. Vertical for the platforms that want vertical, horizontal for a laptop, a television, or sending to family who are not on any of them.
How many hours should we book?
Most weddings land between five and nine hours. The right number depends on how much of the getting-ready you want covered and how late you want someone still filming the floor.
Who actually shoots it?
A content creator working as part of the Lulan Studio crew for your wedding, briefed on the same timeline and shot list as the photographer and videographer.
Will they get in our photographer’s way?
That is the problem this service exists to solve. Angles are divided before the day: the photographer takes the strongest still position, the content creator takes the alternate perspective or a fixed view. It is a scheduling decision, made in advance, by people who work together every weekend.
Do you use a drone?
Not for content coverage — drone work sits with the videography team. If you want aerials, add video and we will bring it.

Next

Check your date.

Tell us when and where, and we will tell you whether a content creator is free alongside your photo or video crew. We answer in minutes, not days.

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Serving Los Angeles, Orange County, San Diego and Las Vegas. Content creation is booked as an addition to Lulan Studio photography or film coverage.