A bride in a full ballgown photographed from directly overhead, her veil and skirt fanned across a concrete floor in Los Angeles
About Lulan Studio · Los Angeles · Since 2016

The Philosophy of Lulan Studio

The dance of lights and shadows.

“Photography is a way of feeling, of touching, of loving… it remembers little things, long after you have forgotten everything.

Aaron Siskind
The beginning

It started with one camera and a stubborn idea

That a photograph should hold what a day felt like — not what the room looked like.

Lulan Wang founded the studio in Los Angeles in 2016. It is fifteen artists now, still working to the same brief: read the day, do not run it. Film and digital travel together, and every frame is graded here by someone who was in the room.

See how we photograph →

Wedding guests holding sparklers form a tunnel as the bride is carried through at the end of a Los Angeles reception
Sparkler exit · Los Angeles
In her words

“In the heart of Lulan Studio, time slows, and the story unfolds in the delicate dance of light and shadow.”

“Each image, a testament to the art of the tangible, invites you to wander where pixels whisper stories, and emotions.”

Lulan Wang · Founder

The brief she still sets is short: photograph the day the way it actually felt, protect the quiet minutes, and never hand the editing to somebody who was not there.

Meet the fifteen →

  • Fearless Photographers
  • WPPI
  • WPIA
  • IPA
  • The Portrait Masters

& SHADOW

Six frames, six weddings, six reasons a photograph earns its place on a wall.

A laughing bride with red hair on a sofa in a window-lit room, her groom leaning over her, photographed at a Los Angeles wedding
01  /  06

Some images make you laugh

A bride mid-laugh on a hotel sofa, her groom leaning in. Nobody asked for it, nobody posed it. Fifteen years from now this is the frame that gets pulled out of the album first.

Black and white portrait of a bearded man resting his chin on his hand, lit by a single hard light
02  /  06

Some images inspire you

Black and white, one hard light, nothing to hide behind. A portrait made in the five quiet minutes we protect in every timeline — the ones that end up framed on a wall.

Two grooms in suits silhouetted against a large industrial window, talking to each other before their wedding ceremony
03  /  06

Some images make you miss each other

Two grooms at a window, backlit, mid-sentence. We photograph the space between people as carefully as the people themselves — that space is usually where the story is.

A bride lying back on a hotel bed laughing and holding a shoe, her wedding dress hanging on the headboard behind her
04  /  06

Some images you may not want to remember

The getting-ready room, an hour before. Shoes in hand, dress on the headboard, somebody laughing too loudly because the nerves have to go somewhere. Not flattering. Completely true.

A groom in a tuxedo and bow tie playing electric guitar under stage lights at a wedding reception while the bride watches
05  /  06

Some images make your dream come true

A groom on stage with a guitar, stage lights behind him, his bride watching from the piano. The thing you pictured in your head for a year, actually happening, actually kept.

Wedding guests lifting the bride and groom into the air under string lights at a night-time reception
06  /  06

Some images tell a story for generations

String lights, arms in the air, a whole room lifting two people off the ground. This is the frame your grandchildren will point at, and every face in it will still be a name they know.

How we work

We are a “blank paper”

An offering for those who seek stories in their most authentic form — a way of seeing rather than a template. Six things that are true of every collection.

  • 01

    No shot list, no posing script

    We photograph what happens. Family formals are planned to the minute; everything else is left free, because the frames people keep are almost never the ones that were scheduled.

  • 02

    Unlimited edited photographs

    There is no cap on the number of delivered images. If the day gives us eight hundred keepers, you receive eight hundred keepers.

  • 03

    Lifetime gallery access

    Your high-resolution gallery stays online — downloadable and shareable — for life. No expiry date, no archive fee, no scramble to re-download.

  • 04

    Hand-graded, never a batch preset

    Every frame is graded here in the studio to a film-inspired look. Editing is done in-house and is never sent out.

  • 05

    Flexible after you book

    Coverage hours and team members can change after booking. Eight hours becoming nine two weeks out is a normal conversation, not a problem.

  • 06

    Photo and film, planned together

    When you book both, the photographers and the filmmakers work to one timeline and one look — so the stills and the film feel like the same day.

The craft

8mm to 120mm — film and digital, side by side

Film is not a filter here. It is a second set of cameras, loaded and metered on the day, and it is why the digital work is graded the way it is.

Black and white 35mm film portrait of a seated man in a dark sweater, lit against a plain studio backdropPortrait on 35mm film · studio

Grain is a decision, not an accident

Metered by hand, shot on film, scanned. No preset fakes the way those highlights roll off.

On a wedding day two systems travel together. Digital carries the coverage — vows, speeches, the dance floor at midnight. Film carries the frames that should feel like memory.

See the cameras we carry →

Photography

Film and digital, one day

Leica film and digital bodies, Hasselblad and Mamiya for 120mm, and Canon, Sony and Nikon as the digital workhorses. Two systems, one look.

See the photography approach →

Videography

Cinema cameras and Super 8

Wedding films shot on RED cinema cameras, with Super 8mm woven in for the frames that should feel like memory rather than footage.

See the film work →

Same-day edits

A film that plays at the reception

Cut on site and screened before the night ends — the day’s own trailer, playing to the people who were in it.

See same-day edits →

The people

Fifteen artists. One studio.

Photographers, filmmakers and editors who shoot to one brief and edit under one roof. Everyone here works towards the same vision — the person you meet at the consultation is the person holding the camera on the day.

Recognition

As featured in & awarded

Where our couples’ weddings have been published, and the awards the work has been given.

GQ Vogue Brides The Knot Style Me Pretty Here Comes the Guide Zola Green Wedding Shoes WeddingWire Wezoree Peerspace Expertise WedWink Maharani Weddings Rock n Roll Bride Boho Weddings Brides & Weddings GQ Vogue Brides The Knot Style Me Pretty Here Comes the Guide Zola Green Wedding Shoes WeddingWire Wezoree Peerspace Expertise WedWink Maharani Weddings Rock n Roll Bride Boho Weddings Brides & Weddings
  • Hall of Fame PhotographerThe Knot2018–2026
  • Best of WeddingsWeddingWire2018–2026
  • Best LA Wedding PhotographerExpertise2019
  • Top 5 LA Photographer & VideographerWezoree2025
  • Top 7 Wedding VideographersWedWink2025
  • Best Wedding PhotographerPeerspace2024

Selected features

Questions

The things couples ask us before anything else

Who is Lulan Studio?

A wedding photography and film studio founded by Lulan Wang in Los Angeles in 2016. Fifteen artists work under one direction, shooting digital and film side by side, and everything is edited in-house.

What is your photography style?

Cinematic, candid, emotional and editorial. We photograph the day as it happens rather than staging it, then hand-grade every frame to a film-inspired look — never a batch preset. You can see the full approach on our film and digital hybrid photography page.

Do you really shoot film as well as digital?

Yes — from 8mm through 35mm to 120mm medium format, alongside digital bodies, on the same wedding day. Leica, Hasselblad and Mamiya sit in the same bag as our Canon, Sony and Nikon workhorses. Every body and lens is listed in the full kit list, and the film-first work has its own home on our film photography page.

Who will actually photograph our wedding?

The person you meet is the person who shoots. Every artist is briefed to one look and edits in-house — nothing is outsourced, and we never describe anyone here as a subcontractor. Meet the team.

Where are you based, and do you travel?

We are based in downtown Los Angeles and photograph regularly across Los Angeles, Orange County, San Diego, Santa Barbara and Las Vegas — and we travel anywhere the story goes.

How long until we see our photos and film?

Photographs are delivered in four to eight weeks and films in eight to twelve. Your gallery is high-resolution, downloadable, shareable — and stays online for life.

Are you insured and permitted?

Fully insured and permitted, so no venue, park or private estate turns us away on the day. We are also happy to work under an NDA for private celebrations, and nothing is published without your say-so.

How do we check our date?

Send us your date and we will come back within minutes, or book a call and talk it through. What each collection includes is set out under collections and pricing.

Guests raise sparklers overhead as a couple leave their Los Angeles wedding reception at night
Let’s get started

We’d love to be in your story next

Send us your date and we will come back within minutes — or book a call and we will talk it through properly.